Playing back the samples from different or ‘odd’ positions (and not necessarily at the beginning of the samples) can produce very interesting sounding results when synced with the beat. Then the recorded audio will be imported into DirectWave or SliceX and by using the sample playback start position controller (or markers if you choose to use SliceX), the playback will be triggered from different positions in the audio. The idea of this method is to record bass- and synthlines into audio using variety of different sounds. Ok, that wasn’t probably the most complex bass/synthlines out there, but even so, I will show you the technique behind it and it should give you an idea for creating your own, far more complex stuff. Please tell me if you find one so I can fix it ASAP.In this tutorial, I will show you a production technique that may help you to create a bit more complex bass- and synthlines. NOTE: There are over 2700 samples in this pack (2770), and thus it is impossible for me to find all of the mistakes. This collection is released under the Creative Commons Sampling Plus 1.0 license (essentially, yes, you can sell songs you make using these samples). The source samples that this pack was built from were released into the public domain with no restrictions. The pack is divided into the MIS Orchestra Instruments and MIS Stereo Piano - If you don't have directwave, you can load the wav files into the sample manager of your choice. ° = There are 2 sets of samples for these instruments: Arco and Pizzicato * = There are 2 sets of samples for these instruments: Vibrato and Non-vibrato This pack contains the directwave programs and the source wave files (all labeled) to each of the following instruments:
There aren't many free samples of individual instruments, so I took the samples from this website, split them up, cut, pasted, and trimmed them by hand into individual wav files, then loaded them into DirectWave.
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